Nihiti:

Nostalgia Ghosts and Lovers.mov

Crystal Castles with Robert Smith:

Nostalgia w Robert Smith 480.mov

Lil Keke:

Nostalgia feat Lil Keke.mov

Salem:

Nostalgia feat Salem.mov

Time

A Gesture

Wave

Wave 2

Nurse

Miniature by Serendipity

Eröffnung: Dienstag, 24. April 2012, 20:00 Uhr
mit DJ Sven Drühl
Ausstellungsdauer: 25. - 29. April 2012

mit: Ernst Altmann, Angelika Arendt, Maryna Baranovska, John von Bergen,
Nicole Bianchet, Marc Bijl, Pedro Boese, Tina Born, Klaas Bosch, Barbara
Breitenfellner, Laura Bruce, Stefanie Bürkle, Claudia Chaseling, Damien Deroubaix,
Nadine Dinter, Ursula Döbereiner, Markus Draper, Sven Drühl, Thomas Eller,
Maike Freess, Bertram Hasenauer, Mathilde ter Heijne, Maarten M. Janssen,
Monika Jarecka, Pierre Juillerat, Susanne Jung, Lisa Junghanss, Stefan Kaminski,
Bettina Khano, Daniel Kingery, Valeria Klingbeil, Stephanie Kloss, Silke Koch,
Paul Edler von Krepl, Felix Edler von Krepl, Oliver Lanz, Bruno di Lecce,
Joep van Liefland, Catherine Lorent, René Luckhardt, Peter Maibach,
Maren Maiwald, Matthias Mayer, Sandra Meisel, Isa Melsheimer, MK Kähne,
Matthew Montesano, Peter K. Koch, Julia Münstermann, Florian Muser, Nik Nowak,
Hester Oerlemans, Claudia Olendrowicz, pattypalmtree, Manfred Peckl,
Johanna Perret, Katja Pfeiffer, Sharman Riegger, Benja Sachau,
Walther-Maria Scheid, Maik Schierloh, Kerstin Schröder, Marike Schuurman,
Cathleen Schuster / Marcel Dickhage, Bettina Sellmann, Marcus Sendlinger, Eva
Seufert, Volker Sieben, Alex Tennigkeit, Petra Trenkel, Tilman Wendland, Eva Wilde,
Markus Wirthmann, Michaela Zimmer und andere.
Kosmetiksalon Babette, Karl-Marx-Allee 36, 10178 Berlin
mail@barbabette.com / www.barbabette.com

http://www.utahmoca.org/exhibitions/current/fax/

FAX invites a multigenerational group of artists, architects, designers, scientists, filmmakers and writers to reconceive of the fax machine as a thinking and drawing tool. Participants transmit their fax-based work via the venues’ working fax lines through the duration of the exhibition’s tour. Faxes by nearly 100 participants sent to the initial showing of FAX at The Drawing Center form the core of the exhibition, with each institution inviting additional participants to submit works, which will then be archived with The Drawing Center’s collection to create an evolving document of all participants. The accumulation of information-received in real time, in the exhibition space-includes drawings and texts, and the inevitable junk faxes and errors of transmission, creating an ongoing cumulative project.

Featuring The Void, 2011 and The Cut, 2012

YOU ARE FREE

Alejandro Almanza Pereda, Marc Bijl, Piot Brehmer, Erik Bünger, Jan Christensen &
Anders Fjøsne, Kate Gilmore, Delia Gonzalez, Andy Graydon, Gregor Hildebrandt,
Christian Jankowski, Aaron Johnson, Daniel Kingery, Annika Larsson, David Levine,
Stephen Neidich, Kirstine Roepstor , Jeremy Shaw, Viktor Timofeev, Bryan Zanisnik

Curated by Daniel Kingery and Julie McKim

Exhibition: 6.10. – 5.11. 2011
Opening: Mi Wed., 5.10. 2011
starting 4 pm, with a 2 day performance series

Performances & Concerts

5.10. 2011
KUNSTHALLE EXNERGASSE
4 p.m. (ongoing)
Stephen Neidich
Anders Fjøsne & Jan Christensen
WUK GROSSER SAAL
19h Erik Bünger
9 p.m. Performances & Concerts:
Andy Graydon
Viktor Timofeev
Tobias Bernstrup
Nihiti
Jeremy Shaw (DJ Set)

6.10. 2011
KUNSTHALLE EXNERGASSE
19h Delia Gonzalez
WUK FOYER
20h Bryan Zanisnik
WUK GROSSER SAAL
ab 21h Konzerte Concerts:
From the Department of Bad Moods
(David Levine/ Viktor Timofeev/
Daniel Kingery/ Joe Dilworth)
Bryce Hackford
Heatsick FM
The Surveyor (DJ Set)

Kunsthalle Exnergasse

Währinger Straße 59/2/1, 1090 Wien / Vienna, Österreich / Austria
www.kunsthalleexnergasse.wuk.at, T: +43 1 40121-41/42
Di–Fr / Tue–Fri 13–18h, Sa / Sat 11–14h

A new work is featured as part of the exhibition Lark/Plunge, curated by Celina Basra

http://www.una-tittel.com/lark1.htm

www.7-berlinerkunstsalon.com

On Wednesday, October 6th, I will be participating in the exhibition First Steps, at Bar Babette starting at 6 p.m.

www.barbabette.com

We are pleased to annound taht the exhibition YOU ARE FREE, which premiered at Tape in Berlin in February 2010, will travel to Kunsthalle Exnergasse in Vienna with an opening scheduled for October 5th, 2011. The exhibition will run from October 6th to November 5th, 2011. The exhibition will also feature performances by some of the artists as well as musicians with a related sensibility.

For more information on Kunsthalle Exnergasse, please visit: http://www.wuk.at/WUK/Kunst/Kunsthalle_Exnergasse/Aktuell

For information on YOU ARE FREE and installation images of the exhibition as it was premiered in Berlin, please visit: http://www.danielkingery.com/curating/you_are_free/

The artists and performers in YOU ARE FREE:

MARC BIJL / PIOT BREHMER / ERIK BÜNGER / JAN CHRISTENSEN / KATE GILMORE / DELIA GONZALEZ / ANDY GRAYDON / GREGOR HILDEBRANDT / CHRISTIAN JANKOWSKI / AARON JOHNSON / DANIEL KINGERY / ANNIKA LARSSON / DAVID LEVINE / ALEJANDRO ALMANZA PEREDA / VIKTOR TIMOFEEV / STEPHEN NEIDICH / KIRSTINE ROEPSTORFF / JEREMY SHAW / BRYAN ZANISNIK

+ PERFORMANCES BY: TOBIAS BERNSTRUP/ nihiti (NYC) / HEATSICK FM / NIFFMF$ / VIKTOR TIMOFEEV

Check out this great video tour through the opening of Videodrome and an interview with curator Aaron Moulton:
http://artycok.tv/lang/en-us/videodrome/4391

Here you can read a short article by Dazed & Confused's art critic Francesca Gavin: http://roughversion.blogspot.com/2010/06/videodrome-at-autocenter.html

Below: The floorplan and install shots.

floorplan_Videodrome.jpg

VIDEODROME
Curated by Aaron Moulton
June 4-18, 2010

www.autocenterart.de

Opening on Friday June 4th at 8:00.

BERLIN BIENNALE
Special opening hours at AUTOCENTER
Thursday to Sunday 4-6 and by appointment

BB6-BBQ
BBQ and party on Saturday June 12th.

Artists:
Douglas Gordon, AIDS-3D, Spartacus Chetwynd, Oliver Laric, Vuk Ćosić,
Omer Fast, John Kleckner, Jorge Peris, David Levine, Daniel Baker,
Joep van Liefland, Oliver Payne & Nick Relph, 01100101001.org, Cory
Arcangel, Seth Price, Ignacio Uriarte, Anetta Mona Chişa & Lucia
Tkáčová, Jeremy Shaw, Aleksandra Domanović, Daniel Kingery, Patrick
Tuttofuoco, Christian Jankowski, Arcangelo Sassolino

“I’ve lived my whole adult life talking about my life. I’ve lived in
front of cameras. And maybe I’ll die in front of them.”
—Quote taken from reality television superstar Jade Goody on her deathbed

“And therefore whatever appears on the television screen emerges as
raw experience for those who watch it.”
—Brian O’Blivion in Videodrome


AUTOCENTER is pleased to present the exhibition “Videodrome”. Using
Director David Cronenberg’s cult classic as a point of departure, the
exhibition examines the relationship between spectator and spectacle,
simulated realities, the condition of secondhand experiences in
contemporary living, hardcore sex, snuff, virtual selves, cultural
mash-ups, historical cut-ups, human slips and so on.

Upon its release in 1983, Videodrome was a prescient dissection of how
the mediated experience of TV — particularly reality TV — would become
a learning device towards grooming ritual and daily practice. In turn,
reality television’s voracious approach to serializing every waking
moment of human experience, no matter how absurd or inane, has made
any one of us into an unwitting participant of The Truman Show. This
reached an existential crescendo in spring 2009 with the late Jade
Goody, reality TV’s recent martyr. As a symbol Goody is an uncanny
doppelganger to Videodrome’s Brian O’Blivion, Cronenberg’s stand-in
for Marshall McLuhan, who states repeatedly how “the television screen
is the retina of the mind’s eye”. Much like O’Blivion’s fate, Goody’s
cancer-stricken body, under the bludgeoning scrutiny of the video
camera, was dematerialized into a pulp of television snow the moment
she expired.

With the advancement of home cinemas such as VHS, Betamax and
Video2000, a sudden and unknowable surplus of films and visual
information was generated. Immediately the result was lifetimes of
imagery that no one will ever see. After the birth of the video store,
this condition reached hyperbole with the advent of user-generated
content. This codex of tireless image production influences much of
who we are and what we are composed of as social beings.

In Michel de Certeau’s seminal book The Practice of Everyday Life from
1984, he pinpoints behavioral strategies of contemporary man as a way
to make us, the reader and ultimately the subject, become more
self-reflexive about our procedures for social engagement, leisure and
personal economy. One key concept is la perruque or “the wig,” a
French expression that references the way people figuratively wear an
outfit or disguise to make viewers believe that what they are seeing
is what they think it is. Forms of posturing or “imposturing” create a
slippage between real, projected and now televised selves in an
attempt to maintain expectations from daily behaviors for the
experience of the viewer.

From a point of posturing based on projection, this blurring of self
is reminiscent of 60s experimental filmmaker Jack Smith’s loosely
directed productions and the notion of the “human slip”. Smith’s films
capture awkward moments wherein actors sit in front of the camera
attempting to posture according to their mind’s eye and Jack’s
supposed expectations for “being” an unknowable and unscripted
character. The outcome is a teetering between this caricatured idea
and sudden moments of self-realization, the in-between liminal state
acting as this moment of slippage.

The works in Videodrome come together to make an ouroboratic machine
massaged by the medium it mimics. Reproductions of popular culture are
done through its self, asexually. We witness sublimation as a means of
mimicry. The outcome is a subliminal camouflage that, by referencing
the reference of a reference, eventually becomes some uncut simulacric
compound.

Image and icon production has reached a point of being completely
scrambled in terms of sequences of realization and consumption. The
results are parallel, simulated or even parasite realities each with
their own version and mash-up to boot eliciting an unquieting
collision of festering ambivalence and derealization. In terms of
cultural production the tendency might be described as “Karaoke
Conceptualism” which manifests as a form that is both conceptual and
physical, offers a mouthpiece for discourse, and like some form of
dementia allows us to repeat histories of any kind without risk or
foul. In effect, Videodrome offers a kind of psychic alchemy through
extraordinary rendition.

Long live the new flesh.


AUTOCENTER
www.autocenterart.de
Eldenaer Strasse 34 a
10247 Berlin
via James-Hobrecht-Str. above the supermarket
Hours: Thursday – Saturday 4 - 6 p.m. and by appointment
For appointments please contact Annika at ak@autocenterart.de
For questions contact Aaron Moulton: aaronkmoulton@gmail.com or +491721849732

Waking the Dead will open at Autocenter on January 15th, 2010. See here for the concept: http://www.danielkingery.com/writing/waking_the_dead/

A catalogue is being planned for the exhibition.

The artists list is as follow:

Armin BOEHM

Matt BOHAN

Piot BREHMER

Axel GEIS

Daniel KINGERY

John KLECKNER

Barbora KYSILKOVA

Ryan MCLAUGHLIN

Michael VAN OFEN

Christian PILZ

Dennis RUDOLPH

Dimitris TZAMOURANIS

Michael WUTZ

New work will be presented by FMAB:

3. Dez: FMAB in NYC @ Naiagara, Ave A + 7th, NYC mit Paul Rascheja, Valentina Bardazzi, Daniel Kingery, Nicolas Manenti, Carola Göllner und Henry Woller + Specially invited Artists: Mark Koval, Lolo Rodriguez, Elizabeth White, Mirco Tschotzew, Ute Haarkötter und Reinhold Gottwald

www.fmab.biz

I'll be showing new work at the Forgotten Bar Project, Boppstr. 5 on Oct. 22nd, 2009 as part of the exhibition "Less is More" curated by Margherita Belaief.

Artists in the show:

avaf, Joe Bradley, Ethan Hayes - Chute, Daniel Kingery, John Kleckner, Marcus Knupp, Ryan McLaughlin, Nathan Peter, Brent Wadden

List of exhibited works
(clockwise from entrance)

Marc Bijl, Constructed Composition V, 2009
mirror plate, euro pallete, paint, spray paint
dimensions variable

Klaus Jörres, Untitled (Nach Kurt Wehlte), 2009
acrylic on canvas
200 x 150 cm

Diana Artus, Herkes Mutlu Olacak (Everybody Will Become Happy), 2009
permanent marker on found images, adhesive tape / picturs 20 x 30 cm (framed) dimensions of installation variable
ed. 3 + 1 AP

Øystein Aasan, Display Unit (i), 2009
wood, plexiglas, mirror foil
175 x 80 x 80 cm

Marcus Knupp, Untitled No.1 (Smiley Face), 2008
acrylic on canvas
100 x 120 cm

Daniel Kingery, I Don’t Believe in Hitler, 2009
oil on canvas
150 x 120 cm

Christian Jankowski, What Remains, 2004
16mm film, color, sound
11:33 min

Rodney Latourelle, END ENTERTAINMENT, 2009
moulded capa plastic
260 x 25 x 25 cm

Klaus Jörres, Untitled (Toilet), 2009
found objects, vinyl lettering, toilet, sink, plaster board
dimensions vary with installation

Linda Franke, Dancing Queen, 2009
mixed media installation
260 x 120 x 120 cm

Stephen Neidich, Untitled, 2009
found objects and screws on MDF
162 x 110 x 30 cm

On view 19.09 - 19.10.2009

Galerie FMAB
Strassburger Strasse 4, 1. Floor
10405 Berlin (Rosa-Luxemburg-Platz)
www.fmab.biz
info@fmab.biz
+49 (0)30 32508828/ +49 178 167 3471

Please join me on September 19th starting at 7 p.m. for the opening of my solo exhibition, "Find A New Illusion" at Galerie Fridey Mickel Ariane Blankenburg, Strassburgerstrasse 4, 10405 Berlin.

www.fmab.biz
info@fmab.biz
+49 (0)30 32508828

"In every novel the work is divided between the writer and reader; but the writer makes the reader very much as he makes his characters... When he makes him well, that is, makes him interested, then the reader does quite half the labour." - Henry James

In an artwork, as in literature, it can be said that meaning is created in the space where the artist and the viewer meet. The artist has no control over the associations and experiences the viewer brings with her/him. Yet the goal of the artwork is to engage the viewer in a way that awakens something and starts a dialogue that otherwise could not have existed.

The artworks in Waking the Living address precisely this phenomenon. They seek to engage the viewer and activate the gaze, to speak directly to the her/him or to cause the viewer to reevaluate his or her modes of cognitive perception and understanding.

Waking the Living is a group exhibition curated by Daniel Kingery and Helen Brown during Art Forum Berlin.

On September 25th there will be a second opening in conjuntion with the other Heidestrasse galleries followed by an after party at Tape Club.

Address:

Heidestrasse 46-52, Gebäude (building) 6, third floor

Artists:

Øystein Aasan
Diana Artus
Marc Bijl
Linda Franke
Christian Jankowski
Klaus Jörres
Daniel Kingery
Marcus Knupp
Rodney Latourelle
Stephen Neidich

Opening hours:

September 22nd: 2 p.m. - late

September 23rd: 12 p.m. - 7 p.m.

September 24th: 12 p.m. - 7 p.m.

September 25th: 12 p.m. - 10 p.m. followed by party at Tape Club

September 26th: 12 p.m. - 7 p.m.

September 27th: 12 p.m. - 6 p.m.

Please look for the solo exhibition this September in Berlin at Fridey Mickel and Ariane Blankenburg, Strassburger Str. 4. www.frideymickel.com